Hannah Stanton

Photographer: Joseph Fraser

Reborn Blooms

Is a joyous and youthful feminist celebration of sexual expression to normalise the freedom to sexually express yourself without shame or the debilitating fear of judgement. Society denies women the choice to feel pleasure and establish healthy physical and emotional boundaries. Her work rejects these antiquated societal expectations imposed upon young girls to act ‘ladylike’ by maintaining their sexual innocence.

Flowers are synonymous with women, whether this is used as a compliment or an insult. Men are rarely tarred with the same labels and are praised for their sexual conquests or exploits. These double standards are still commonplace, and Hannah poignantly remarked, ‘We are told that we are free sexual women in this modern era. I wish for this to become a reality.’ The artist has taken back control of this symbol and used it as a motif throughout the exhibition.

The Artist

Hannah Stanton is a Meanjin (Brisbane) based young emerging artist who wishes to help break down these social barriers and take back control of the representation of her body, especially as the expression of the female body has always been controlled by men. Hannah is highly influenced by the famous artist Georgia O’Keefe and her highly intimate composition of flowers, commonly viewed as erotic, whether this was an intended interpretation. Her passion is for gouache and sculpture, primarily using clay.

Residency

December 2021 to February 2022

Mia Boe

Mia Boe.jpg

Mia Boe is a painter from Meanjin (Brisbane). Her mother is of the Badtjala people from K’gari (Fraser Island) and her father is Burmese. Her work looks at the brutal and violent history of colonisation in Australia through a contemporary perspective.

Boe's art practice records and recovers Indigenous histories which Australia seeks to deny. This practice of recovery is urgent in contemporary Australia: the patient work of tracing historical trauma and violence can open new perspectives on the reasons for Aboriginal Australians' present suffering.

Jieun Ha

Jieun Ha primarily works with painting examining the relationship between geometric forms and vernacular objects. Her image sources are collected from her attraction to un-designed products or accessible objects with ready-made patterns which are then re-formatted and examined through a process of distortion and erratic formations on uninterrupted surfaces. The process highlights and monumentalises abandoned images and allows to investigate her attraction and relationship to “hot spots.”

(Untitled), oil on canvas, 50 cm x 40 cm, 2020. 

(Untitled), oil on canvas, 50 cm x 40 cm, 2020.

Golden ratio love, oil on canvas, 33 cm x 30 cm, 2020.

Golden ratio love, oil on canvas, 33 cm x 30 cm, 2020.

Rachel Apelt

Rachel Apelt works across disciplines and varied contexts. The output of her studio practice shifts between the polarities of site-specific, socially participative works, and deeply reflective bodies of work. She is currently working with beeswax and various forms of sun and eco-printing to explore the fragility of human structures in the face of Anthropocene tipping points and climate chaos.